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We have collected 12 of the best works of contemporary fiction by African authors in one great E-book package.
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All the Books in This E-Book Package:

’There are things even love can’t do . . . If the burden is too much and stays too long, even love bends, cracks, comes close to breaking and sometimes does break. But even when it’s in a thousand pieces around your feet, that doesn’t mean it’s no longer love . . .’
Yejide is hoping
for a miracle, for a child. It is all her husband wants, all her
mother-in-law wants, and she has tried everything - arduous pilgrimages,
medical consultations, dances with prophets, appeals to God. But when
her in-laws insist upon a new wife, it is too much for Yejide to bear.
It will lead to jealousy, betrayal and despair. Unravelling against the
social and political turbulence of 80s Nigeria, Stay With Me sings with
the voices, colours, joys and fears of its surroundings. Ayobami Adebayo
weaves a devastating story of the fragility of married love, the
undoing of family, the wretchedness of grief, and the all-consuming
bonds of motherhood. It is a tale about our desperate attempts to save
ourselves...

Named one of the most anticipated books of 2017 by Time Magazine, Elle, the Millions, Nylon, and the Minneapolis Star-Tribune
A
dazzlingly accomplished debut collection explores the ties that bind
parents and children, husbands and wives, lovers and friends to one
another and to the places they call home.
In "Who Will Greet You at Home," a National Magazine Award finalist for The New Yorker,
A woman desperate for a child weaves one out of hair, with unsettling
results. In "Wild," a disastrous night out shifts a teenager and her
Nigerian cousin onto uneasy common ground. In "The Future Looks Good,"
three generations of women are haunted by the ghosts of war, while in
"Light," a father struggles to protect and empower the daughter he
loves. And in the title story, in a world ravaged by flood and riven by
class, experts have discovered how to "fix the equation of a person" -
with rippling, unforeseen...

*Winner of the Dylan Thomas Prize 2018*
*Shortlisted for the Costa Poetry Prize 2017*
'Urban and urbane, it's a magnificent debut' Daily Telegraph
'A
brilliant debut – a tender, nostalgic and at times darkly hilarious
exploration of black boyhood, masculinity and grief – from one of my
favourite writers' – Warsan Shire
Translating as 'initiation', kumukanda
is the name given to the rites a young boy from the Luvale tribe must
pass through before he is considered a man. The poems of Kayo
Chingonyi's remarkable debut explore this passage: between two worlds,
ancestral and contemporary; between the living and the dead; between the
gulf of who he is and how he is perceived.
Underpinned by a love of music, language and literature, here is a powerful exploration of race, identity and masculinity, celebrating what it means to be British and not British, all at..

Rejected on arrival, Karl befriends Nakale, an activist who wants to expose the ecocide in the Niger Delta to the world, and falls headlong for his feisty cousin Janoma. Meanwhile, the murder of Mark Duggan triggers a full-scale riot in London. Abu finds himself in its midst, leading to a near-tragedy that forces Karl to race back home. The narratorial spirit of this multi-layered novel is Esu, the Yoruba trickster figure, who haunts the crossroads of communication and misunderstanding.

But most worrying for Michel, the witch doctor has told his mother that he has hidden the key to her womb, and must return it before she can have another child. Somehow he must find it. Tomorrow I'll Be Twenty is a humorous and poignant account of an African childhood, drawn from Alain Mabanckou's life.

For Baba Segi, his collection of wives and gaggle of children are a symbol of prosperity, success, and a validation of his manhood. All is well in this patriarchal home until Baba arrives with wife number four: a quiet, college-educated, young woman named Bolanle. Jealous and resentful of this interloper who is stealing their husband's attention, Baba Segi's three wives begin to plan her downfall. How dare she offer to teach them to read, they whisper. They vow to teach her a lesson instead. What they don't know is that Bolanle hides a terrible secret - a secret that unwittingly exposes the deception and lies upon Baba Segi's household rests.
A stirring tale of men and women, mothers and children, servitude and independence, The Secret Lives of Baba Segi's Wives illuminates the common threads that connect the experiences of all women: the hardships they bear, their struggle to define themselves, and their fierce desire to protect those they love.

Longlisted for the 2014 Etisalat Prize for Debut African Fiction
Winner of the Commonwealth Short Story Prize
"Kintu is a masterpiece, an absolute gem, the great Ugandan novel you didn't know you were waiting for."—Aaron Bady, The New Inquiry
First published in Kenya in 2014 to critical and popular acclaim, Kintu
is a modern classic, a multilayered narrative that reimagines the
history of Uganda through the cursed bloodline of the Kintu clan.
Divided into six sections, the novel begins in 1750, when Kintu Kidda
sets out for the capital to pledge allegiance to the new leader of the
Buganda Kingdom. Along the way, he unleashes a curse that will plague
his family for generations. In an ambitious tale of a clan and a nation,
Makumbi weaves together the stories of Kintu's descendants as they seek
to break from the burden of their shared past and reconcile the
inheritance of tradition and the modern world that is their...

Losing many of her best customers to this good-looking, smooth-talking young man, Vimbai fears for her job, vital if she’s to provide for her young child. But in a remarkable reversal the two becomes allies, Dumi renting a room from Vimbai, then inviting her to a family wedding, where to her surprise, he introduces her to his rich parents as his ‘girlfriend’.
Soon they are running their own Harare salon, attracting the wealthiest and most powerful clients in the city. But disaster is near, as Vimbai soon uncovers Dumi’s secret, a discovery that will result in brutality and tragedy, testing their relationship to the very limit. The Hairdresser of Harare is a stylish, funny and sophisticated first-hand account of life...

Well, almost. There is the matter of his family, his accent, his name. Oh, and his black ass. Furo must quickly learn to navigate a world made unfamiliar and deal with those who would use him for their own purposes. Taken in by a young woman called Syreeta and pursued by a writer named Igoni, Furo lands his first-ever job, adopts a new name, and soon finds himself evolving in unanticipated ways.
A. Igoni Barrett's Blackass is a fierce comic satire that touches on everything from race to social media while at the same time questioning the values society places on us simply by virtue of the way we look. As he did in Love Is Power, or Something Like That, Barrett brilliantly depicts life in contemporary Nigeria and details the double-dealing and code-switching that are implicit in everyday business. But it's Furo's search for an identity--one deeper than skin--that leads to the final unraveling of his own carefully constructed story.

A young Nigerian living in New York City goes home to Lagos for a short visit, finding a city both familiar and strange. In a city dense with story, the unnamed narrator moves through a mosaic of life, hoping to find inspiration for his own. He witnesses the "yahoo yahoo" diligently perpetrating email frauds from an Internet cafe, longs after a mysterious woman reading on a public bus who disembarks and disappears into a bookless crowd, and recalls the tragic fate of an eleven-year-old boy accused of stealing at a local market.
Along the way, the man reconnects with old friends, a former girlfriend, and extended family, taps into the energies of Lagos life—creative, malevolent, ambiguous—and slowly begins to reconcile the profound changes that have taken place in his country and the truth about himself.

Gregoire Nakobomayo, a petty criminal, has decided to kill his girlfriend Germaine. He's planned the crime for some time, but still, the act of murder requires a bit of psychological and logistical preparation. Luckily, he has a mentor to call on, the far more accomplished serial killer Angoualima. The fact that Angoualima is dead doesn't prevent Gregoire from holding lengthy conversations with him. Little by little, Gregoire interweaves Angoualima's life and criminal exploits with his own.
Continuing with the plan despite a string of botched attempts, Gregoire's final shot at offing Germaine leads to an abrupt unravelling. Lauded in France for its fresh and witty style, African Psycho's inventive use of language surprises and relieves the reader by sending up this disturbing subject.

A rollicking new novel described as "Oliver Twist in 1970s Africa" (Les Inrockuptibles) from "Africa's Samuel Beckett . . . one of the continent's greatest living writers" (The Guardian).
It's not easy being Tokumisa Nzambe po Mose yamoyindo abotami namboka ya Bakoko. There's that long name of his for a start, which means, "Let us thank God, the black Moses is born on the lands of the ancestors." Most people just call him Moses. Then there's the orphanage where he lives, run by a malicious political stooge, Dieudonné Ngoulmoumako, and where he's terrorized by two fellow orphans—the twins Songi-Songi and Tala-Tala.
But after Moses exacts revenge on the twins by lacing their food with hot pepper, the twins take Moses under their wing, escape the orphanage, and move to the bustling port town of Pointe-Noire, where they form a gang that survives on petty theft.
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